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It's fascinating how one letter and two digits can invoke such different associations. M83 could just as well be a Kafka-esque form as it could be a piece of military equipment. Why not a distant galaxy? However, most people who have stumbled across this seemingly anonymous name probably regard it as the source of dreamy, grandiose and meticulously sculpted compositions.
I couldn't possibly do everything on my own. Even though I feel I can achieve more by myself nowadays it is still very valuable for me to work with producers, engineers and other musicians. They come with suggestions and input which helps me to reinvent myself, even if it sometimes feel like an impossible thing to do as I have a signature sound I can't run away from.
It can be tricky to find the right people but at the same time it gives me the opportunity to meet a lot of other artists. On my upcoming album I work with Justin Meldal-Johnsen, a very experienced and talented guy who have worked with Beck, Air and Nine Inch Nails.
I had been living in France for almost thirty years and I felt I needed a change. There is just so much great about this city. Musical opportunities, good studios, an interesting music scene, great restaurants, the beaches, the mountains.
For me album titles are as important as the music. When I was a kid and went to the record store I was always drawn towards albums with a beautiful cover or a beautiful title. So I give my album titles a lot of thought. The naming is usually the last thing I do.
I've always been a fan of German music from the seventies and music made by Brian Eno, so I wanted to start a series of ambient albums. Some of the tracks are not that traditional though, they can even be a bit disturbing. After the M83 album I'm occupied with now I'll probably start working on the next Digital Shades album.
I can't record an album in just a couple of months, I need to assemble material in the course of several years. Sometimes two months can pass without me producing anything good at all. Then suddenly, in the course of like a week or so, I produce a lot songs. I know myself by now. When I'm not in the mood for making music, nothing worthwhile will be made.
Rhythm is very important to my music but different songs require different approaches. Some songs sound better with real drums only, other ones need electronic sounds only and sometimes a combination of the Machinedrum and a real drummer is the best option. I usually play the Machinedrum in real time, tapping the trig keys, and then sequence sounds on top of that rhythm. The EFM machines are my favorites. They have such a clear sound.
It's so deep and in the beginning I felt like being in a jungle. But then I read the manual and saw the online videos and suddenly everything made sense. It's a really clever machine.
But that is a question of budget. The more people involved, the more expensive it becomes.
During the touring I already know how my next album will sound like. My music is evolving just like I am as a person. It's an upward motion.
Visit M83's official website here.


