Intonal Festival - Elektron Super Sekvens ’26

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Events

Intonal Festival – Elektron Super Sekvens ’26

June 2, 2026

Elektron brought Super Sekvens down to Malmö for the second Intonal Festival running, with a new sonic smörgåsbord mixing the likes of Aho Ssan, Dissonant Witchcraft, Iggor Cavalera, Simona Zamboli, SSTROM, and The Elektron Team. There were synthesizers, drum machines, modular rigs, and effects pedals aplenty.

Aho Ssan

Paris-based Niamké Désiré works across composition, sound design, and audiovisual practice. His debut Simulacrum explores perception through dense synthesis, fractured rhythm, and layered distortion. Later works extend this language – treating sound as structure, where tension, space, and silence continuously interact. Aho Ssan helped with the launch of Tonverk, creating factory content for both that machine and Digitone II.

Catenation

Berlin-based Jeanne Artemis builds evolving environments with hardware synthesizers, where sequences stretch and textures accumulate over time. Her work unfolds with precision and patience, allowing emotional intensity to surface gradually through repetition, detail, and controlled transformation. Dissonant Witchcraft has helped with factory content for a number of Elektron machines, and also created the Syntakt packs Drum Spells and Tone Spells, and the sample pack HexCells.

Iggor Cavalera

Co-founder of Sepultura, Cavalera has long been working with experimental electronics alongside his drumming pedigree. Integrating drum machines, noise, and modular systems, he explores atmospheric territories where rhythm dissolves into texture, and physical force is reconfigured into immersive sonic pressure.

Simona Zamboli

Milan-based artist working between precision and physicality, crafting rhythmic environments that move between experimental electronics and techno. Her performances focus on direct interaction with machines, shaping sound as both structure and embodied experience.

SSTROM

Swedish artist exploring minimal, rhythm-driven electronics. Across a decade of releases, his work balances austerity and expression, where subtle shifts unfold slowly. Patterns emerge, hover, and recede – inviting deep listening within restrained, carefully held forms.